{"id":645,"date":"2011-11-03T11:44:24","date_gmt":"2011-11-03T13:44:24","guid":{"rendered":"http:\/\/ricardoartur.com.br\/1001\/?page_id=645"},"modified":"2020-05-04T15:21:51","modified_gmt":"2020-05-04T18:21:51","slug":"referencias","status":"publish","type":"page","link":"https:\/\/ricardoartur.com.br\/1001\/referencias\/","title":{"rendered":"Refer\u00eancias"},"content":{"rendered":"<h3>Livros Recomendados<\/h3>\n<ol>\n<li><strong>Tipografia\/Diagrama\u00e7\u00e3o<\/strong>\n<ul>\n<li>BRINGHURST, Robert. <strong>Elementos do estilo tipogr\u00e1fico<\/strong> (vers\u00e3o 3.0)[Trad. Andr\u00e9 Storlaski] , S\u00e3o Paulo: Cosac Naify, 2005.<\/li>\n<li>LUPTON, Ellen, <strong>Pensar com tipos<\/strong>: guia para designers, escritores, editores e estudantes. [Trad. Andr\u00e9 Storlaski] S\u00e3o Paulo, Cosac Naify, 2006.<\/li>\n<li>M\u00dcLLER-BROCKMANN, Josef.\u00a0<strong>Sistemas de grelhas<\/strong>: um manual para designers gr\u00e1ficos. 3\u00aa ed. [Trad. Paulo Heitlinger] Barcelona, Gustavo Gili; edi\u00e7\u00e3o bil\u00edngue [espanhol e portugu\u00eas de Portugal], 2012.<\/li>\n<\/ul>\n<ul>\n<li>NIEMEYER, Lucy. <strong>Tipografia<\/strong>: uma apresenta\u00e7\u00e3o. 4a ed.Teres\u00f3polis, 2AB, 2010.<\/li>\n<li>ROCHA, Claudio. <strong>Projeto Tipogr\u00e1fico<\/strong>: An\u00e1lise e produ\u00e7\u00e3o de fontes digitais. 2a ed. S\u00e3o Paulo: Rosari, 2003.<\/li>\n<\/ul>\n<ul>\n<li>SAMARA, Timothy. <strong>Guia de Tipografia:<\/strong> manual pr\u00e1tico para o uso de tipos no design gr\u00e1fico. Porto Alegre: Bookman, 2011.<\/li>\n<li>SAMARA, Timothy. <strong>Grid: Constru\u00e7\u00e3o e desconstru\u00e7\u00e3o<\/strong>. 2a Ed. S\u00e3o Paulo: Cosac Naify, 2011.<\/li>\n<\/ul>\n<\/li>\n<li><strong>Cor\/Imagem<\/strong>\n<ul>\n<li>AUMONT, J. <strong>A Imagem<\/strong>. 12<sup>a<\/sup> ed.\u00a0 S\u00e3o Paulo: Papyrus, 2007.<\/li>\n<\/ul>\n<ul>\n<li>DONDIS, D. <strong>Sintaxe da Linguagem Visual<\/strong>. 3<sup>a<\/sup> ed. S\u00e3o Paulo: Martins Fontes, 2007.<\/li>\n<li>PEDROSA, I. <strong>Da cor \u00e0 cor inexistente<\/strong>. 10<sup>a<\/sup> ed. Rio de Janeiro: Senac, 2009.<\/li>\n<li>O\u2019GRADY, J. V \u00a0&amp; O\u2019GRADY, K. V. \u00a0<strong>The Information Design Handbook<\/strong>. Cincinnati: How Books, 2008<\/li>\n<\/ul>\n<\/li>\n<li><strong>Design gr\u00e1fico <\/strong>\n<ul>\n<li>LUPTON, Ellen (ed.). <strong>A produ\u00e7\u00e3o de um Livro Independente<\/strong>: um guia para autores, artistas e designers. S\u00e3o Paulo: Rosari, 2011<\/li>\n<\/ul>\n<ul>\n<li>LUPTON, Ellen e COLE-PHILLIPS, Jeniffer. <strong>Novos fundamentos do design<\/strong>. S\u00e3o Paulo, Cosac Naify, 2008.<\/li>\n<li>HENDEL, Richard.<strong> O design do Livro<\/strong>. [Trad. Geraldo Gerson de Souza e L\u00facio Manfredi. 2a. Ed. S\u00e3o Paulo: Ateli\u00ea Editorial, 2006.<\/li>\n<li>SAMARA, Timothy. <strong>Elementos do design<\/strong>: guia de estilo gr\u00e1fico.[Trad. Edson Furmankievicz] Ed. Bookman, 2010<\/li>\n<\/ul>\n<\/li>\n<li><strong>Produ\u00e7\u00e3o Gr\u00e1fica\u00a0<\/strong>(t\u00e9cnicas de impress\u00e3o, papel, acabamento, etc.)\n<ul>\n<li>\n<div>AMBROSE, G. e HARRIS, P.\u00a0<b>Layout<\/b>\u00a02\u00aa ed, Porto Alegre: Bookman, 2012.<\/div>\n<\/li>\n<li>\n<div>FERNANDES, Amaury.\u00a0<b>Fundamentos de produ\u00e7\u00e3o gr\u00e1fica para quem n\u00e3o \u00e9 produtor gr\u00e1fico.\u00a0<\/b>Rio de Janeiro: Rubio 2003.<\/div>\n<\/li>\n<li>\n<div>VILLAS-BOAS, Andr\u00e9.\u00a0<b>Produ\u00e7\u00e3o gr\u00e1fica para designers<\/b>. 3\u00aa ed, Teres\u00f3polis: 2AB, 2010<\/div>\n<p>&nbsp;<\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<h3>Sites e blogs recomendados<\/h3>\n<ol>\n<li><strong>Tipografia\/Diagrama\u00e7\u00e3o<\/strong>\n<ul>\n<li>Typoretum:\u00a0 blog sobre impress\u00e3o tipogr\u00e1fica <a href=\"http:\/\/blog.typoretum.co.uk\/\">http:\/\/blog.typoretum.co.uk\/<\/a><\/li>\n<li>I Love Typography: blog sobre desenho, processo de produ\u00e7\u00e3o e cr\u00edticas de tipos: <a href=\"http:\/\/ilovetypography.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/ilovetypography.com\/<\/a><\/li>\n<li>Counterspace: linha do tempo da tipografia: <a href=\"http:\/\/www.counterspace.us\/typography\/timeline\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.counterspace.us\/typography\/timeline\/<\/a><\/li>\n<li>Martin Majoor: site e blog do designer de tipos holand\u00eas: <a href=\"http:\/\/www.martinmajoor.com\/0_my_type_blog.html\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.martinmajoor.com\/0_my_type_blog.html<\/a><\/li>\n<li>Fonts.com: ferramenta de identifica\u00e7\u00e3o de fontes: (<a href=\"http:\/\/www.identifont.com\/identify.html\" target=\"blank\" rel=\"noopener noreferrer\">http:\/\/www.identifont.com\/identify.html<\/a>)<\/li>\n<li>Identifont: identificador de fontes (<a href=\"http:\/\/www.fonts.com\/FindFonts\/SearchBySight.htm\" target=\"blank\" rel=\"noopener noreferrer\">http:\/\/www.fonts.com\/FindFonts\/SearchBySight.htm<\/a>)<\/li>\n<li>Fabio Lopez: textos, manuais e refer\u00eancias: (<a href=\"http:\/\/issuu.com\/fabiolopez\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/issuu.com\/fabiolopez<\/a>)<\/li>\n<li>Typography Desconstructed: um guia sobre anatomia dos tipos (<a href=\"http:\/\/www.typographydeconstructed.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.typographydeconstructed.com\/<\/a>)<\/li>\n<\/ul>\n<\/li>\n<li><strong>Informa\u00e7\u00f5es t\u00e9cnicas, normas e especifica\u00e7\u00f5es<\/strong>\n<ul>\n<li>Manual de Normas para teses e disserta\u00e7\u00f5es da PUC-Rio: <a href=\"http:\/\/www.puc-rio.br\/ensinopesq\/ccpg\/normas\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.puc-rio.br\/ensinopesq\/ccpg\/normas\/<\/a><\/li>\n<li>Revista Tecnologia Gr\u00e1fica, apresenta diferentes conte\u00fados ligados aos diferentes processos de impress\u00e3o. <a href=\"http:\/\/www.revistatecnologiagrafica.com.br\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.revistatecnologiagrafica.com.br\/<\/a><\/li>\n<\/ul>\n<\/li>\n<li><strong>Design, refer\u00eancias, ilustra\u00e7\u00e3o e inspira\u00e7\u00e3o<\/strong>\n<ul>\n<li>Ideafixa: ilustra\u00e7\u00e3o e design. (<a href=\"www.ideafixa.com\" target=\"_blank\" rel=\"noopener noreferrer\">www.ideafixa.com<\/a>)<\/li>\n<li>Caligraffiti: caligrafia, graffiti, tipografia, design (<a href=\"http:\/\/www.caligraffiti.com.br\/\" target=\"_blank\" rel=\"noopener noreferrer\">www.caligraffiti.com.br<\/a>)<\/li>\n<li>Designers Justiceiros: humor e cr\u00edtica sobre design (<a href=\"http:\/\/www.caligraffiti.com.br\/\" target=\"_blank\" rel=\"noopener noreferrer\">www.designersjusticeiros.com.br<\/a>)<\/li>\n<li>Fabio Lopez: designer de tipos e professor. Portifolio (<a href=\"http:\/\/www.flickr.com\/photos\/flopezdesign\/\" target=\"_blank\" rel=\"noopener noreferrer\">www.flickr.com\/photos\/flopezdesign<\/a>)<\/li>\n<\/ul>\n<\/li>\n<li><strong>Webdesign<\/strong>:\n<ul>\n<li>A list apart: site sobre webdesign, programa\u00e7\u00e3o, conte\u00fado e design. <a href=\"http:\/\/www.alistapart.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.alistapart.com\/<\/a><\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<h3>Revistas:<\/h3>\n<p>Tupigrafia &#8211; revista especializada em tipografia brasileira (<a href=\"http:\/\/www.flickr.com\/photos\/tupigrafia\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.flickr.com\/photos\/tupigrafia<\/a>)<\/p>\n<p>Zupi &#8211; revista de design gr\u00e1fico e ilustra\u00e7\u00e3o (<a href=\"http:\/\/www.zupi.com.br\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.zupi.com.br\/<\/a>)<\/p>\n<p>FastCompany Design &#8211; revista impressa e online sobre design (<a href=\"http:\/\/www.fastcodesign.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.fastcodesign.com\/<\/a>)<\/p>\n<p>Print Magazine &#8211; revista especializada em design gr\u00e1fico (<a href=\"http:\/\/www.printmag.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.printmag.com\/<\/a>)<\/p>\n<h3>Materiais auxiliares:<\/h3>\n<p>Documentos no Scribd: <a href=\"http:\/\/pt.scribd.com\/rickartur\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/pt.scribd.com\/rickartur<\/a><\/p>\n<p>Videos no vimeo: <a href=\"http:\/\/vimeo.com\/rickartur\/videos\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/vimeo.com\/rickartur\/videos<\/a><\/p>\n<p>Links no De.li.cious: <a href=\"https:\/\/delicious.com\/stacks\/rickartur\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/delicious.com\/stacks\/rickartur<\/a><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Livros Recomendados Tipografia\/Diagrama\u00e7\u00e3o BRINGHURST, Robert. Elementos do estilo tipogr\u00e1fico (vers\u00e3o 3.0)[Trad. Andr\u00e9 Storlaski] , S\u00e3o Paulo: Cosac Naify, 2005. LUPTON, Ellen, Pensar com tipos: guia para designers, escritores, editores e estudantes. [Trad. Andr\u00e9 Storlaski] S\u00e3o Paulo, Cosac Naify, 2006. M\u00dcLLER-BROCKMANN, Josef.\u00a0Sistemas de grelhas: um manual para designers gr\u00e1ficos. 3\u00aa ed. [Trad. Paulo Heitlinger] Barcelona, Gustavo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-645","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ricardoartur.com.br\/1001\/wp-json\/wp\/v2\/pages\/645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ricardoartur.com.br\/1001\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ricardoartur.com.br\/1001\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ricardoartur.com.br\/1001\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ricardoartur.com.br\/1001\/wp-json\/wp\/v2\/comments?post=645"}],"version-history":[{"count":17,"href":"https:\/\/ricardoartur.com.br\/1001\/wp-json\/wp\/v2\/pages\/645\/revisions"}],"predecessor-version":[{"id":1246,"href":"https:\/\/ricardoartur.com.br\/1001\/wp-json\/wp\/v2\/pages\/645\/revisions\/1246"}],"wp:attachment":[{"href":"https:\/\/ricardoartur.com.br\/1001\/wp-json\/wp\/v2\/media?parent=645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}